Sarah Hilary is back with another instalment in the acclaimed Marnie Rome series. If you have followed this blog for some time, you will know that I am a great fan of the series, but also of Sarah, who I met at CrimeFest15 and who is always open to discuss feminism, and women’s crime fiction with me. No wonder she is an active member of Killer Women, a wonderful organisation that aims to bring together women in crime fiction. Now that I live in England, I was lucky to borrow her latest book from the Public Library (more on my love for British public libraries soon).
Quieter than Killing take places nine months after [NAME OF PREVIOUS BOOK], with a cold English winter making things even more difficult for Marine and her team. This time, they are investigating a series of attack on random people in London. As they struggle to make the connections between the victims – different genders, different ages, different social classes – they come up with a theory: There’s a vigilante on the loose. Their approach to the crimes is not welcomed by DC Ferguson, the new glamorous DC that has come to temporarily replace Welland. As Marnie faces life without the unconditional support of her beloved boss, Noah worries about his little brother Sol, who has been missing for days, and the strange texts that someone following Dan, his boyfriend is texting him.
As usual, Hilary is a mastermind at mixing the main characters’ lives with their professional duties. The delicate balance and interweaving between private and professional has always been a trademark of the series, but the author has overdone herself in the fourth book in the series as Sol’s presence, and becomes more crucial in the crime narrative. Stephen, Marnie’s younger adopted brother and the killer of their parents makes an appearance as a secondary character after his main role in the previous book, and as he lets chaos unravel, Marnie wonders if everything was a game for him, and whether there might be some true to his words.
Walking is the repeated act of saving yourself from falling. Where had she read that? In one of those books Lexie, her therapist, gifted to her six years ago. Moving forward was momentum, you just had to keep doing it.
Back to the case, if the Marnie Rome series are known for their pace, Quieter than Killing is the perfect example of a page-turner. I loved the previous books, but I only gave them 4 star reviews at Goodreads. However, I read the latest in the series in less than 3 sittings and I found myself constant needing to return to the book, even after long days reading and writing for work. I was never bored, as the case and the characters picked my interest in many ways. Hilary keeps her trademark narrative device of including the victims’ perspective throughout the novel, but this time she also introduced two secondary female characters: DC Ferguson and professional mediator Zoe Marshall. Lorna Ferguson is a middle-aged woman who dresses sharply, owns a gold-rose MacBook, and works long hours at the precinct in Louboutins. Zoe Marshall is younger, and works with children involved in local gangs, and her aesthetics will appeal to the novel’s younger readers. It is thanks to them that the latest Marnie Rome will connect with a wider audience, but also with anyone looking for better representation of women in contemporary crime fiction.
At this year’s CrimeFest, Hilary confessed that she already knows how book 6 in the series will begin, which will make her readers write angry emails to her of the likes of ‘HOW DARE YOU’. It is not wonder the author is thinking ahead, as the Marnie Rome series are enjoying one of the healthiest, most steady-fast evolutions in contemporary crime fiction written by a woman. Serial crime fiction at its best.
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